Saturday, March 31, 2018

Bandcamp Picks - Greber, Vile Creature, Leechfeast, Hundred Year Old Man



DoC's new friends Greber forgo guitar histrionics, limiting their grind/doom assault to just bass, drums and vocals. Surprisingly full-sounding despite its minimalist approach, Cemetery Preston at turns punches you in the throat with full on speed and blankets you with sub-sonic rumbling. Bass to break faces. [$9.99 CAD]



Also based out of Ontario, Vile Creature are another duo making a hellacious racket. Over the course of its four trudging tracks, Cast of Static and Smoke punishes the listener with thicker-than-molasses riffs and throat-ruining howls, while the lyrics paint a bleak picture of machines overrunning humanity. Baptized in a river of metallic sludge. [$6 CAD]



Slovenians Leechfeast have been plying their trade under the radars of most people (okay, me) for almost a decade. Neon Crosses, a co-release between 3 labels, veers from hateful sludge to mournful funeral doom and back again, with each oppressive chord landing like an anvil falling off a slow-moving truck. Kings of anti-speed. [£4]



Leeds band Hundred Year Old Man have been slowly building momentum with a succession of EPs. Their newest, Rei, combines simple riffs with atmospheric interludes to arrive at a Will Haven/Cult of Luna style of catchy doomgaze. With extensive drone and noise sections, their partnership with the similarly experimental Gizeh Records makes perfect sense. The EP is available as a "name your price" download.

Sunday, March 25, 2018

Mixtape 48 - Rotten Sound


Here is the 48th installment of the Dreams of Consciousness podcast, featuring an interview with Keijo Niinimaa and Mika Aalto of Rotten Sound.

Sunday, March 18, 2018

an interview with Greber

Ontario's Greber make a hell of a racket for two guys without guitars. Cemetery Preston, the duo's third album, makes the most of Steve Vargas' thunderous drums and Marc Bourgon's buzzsaw bass sound. Ever a fan of outliers and innovators, I reached out to the band to find out more about how they arrived at their unique doom metal/grindcore crossroads. Marc was kind enough to answer my questions.

Sunday, March 4, 2018

Mixtape 47 - Heckler



Here is the 47th installment of the Dreams of Consciousness podcast, featuring an interview with Swiss hardcore punk trio Heckler.

Bandcamp Picks - Special "Fallen Empire is Awesome" edition

[All these releases were labeled as "name your price" downloads at the time of writing. That could change, so it's best to grab them ASAP.]

Based in Portland, Oregon, Fallen Empire Records has quickly become my favourite record label due to a regular stream of Bandcamp releases that break the mold but not the bank account.

The label has re-released the epic split Sol for the benefit of people like me who missed it back in 2013. Opening up with the half hour "Sol Orobouros", Portland's Mare Cognitum recalls Dawn's sweeping masterpiece Slaughtersun before their savagery morphs into a droning soundscape. Athens' Spectral Lore takes a more psychedelic approach with their own cosmic black metal epic, "Sol Medius". The split finishes with the ambient track "Red Giant", wherein the two bands combine their talents for atmosphere and experimentation. I'm proud to share a name with a work of such soul-crushing darkness.



Hailing from the Czech Republic, one man band Kostnatění brings an eclecticism to their music that I've come to expect from Czech metal bands. Konec je všude is a throwback to the raw early days of black metal's second wave, combining folky riffs with dissonance and thrashing drums, trading refinement for an exuberance that can't be faked.



I know very little about Arkhtinn, except for a slew of two-track releases where they navigate between punishing speed and transcendent drone. Album VI  (their 5th release in just 2 years) continues the band's tradition of not only numbered releases, but pairing an epic black metal track with with an ambient one. Cosmic keys to cannabinoid times.


Featuring members of the same musical collective that produced Arkhtinn, Mahr shares many of the same facets as its sister project. At turns ethereal and claustrophobic, Antelux is a median between Arkhtinn's bludgeoning and ambient impulses. Credit to Fallen Empire for putting the "fear" back into "atmospheric black metal".